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IMPERIAL 5214; DECEMBER 1952

 
 

 

Rarely is personal redemption a major event. Instead it’s usually made of a small gesture here, a slight change in mindset there and maybe a series of minor course corrections designed to put you on a better path going forward.

Following the underwhelming A-side that featured a song that was ripped-off from a better artist without credit, while at the same time potentially inferring something odious in its re-written title and hook referring to monkeys, Tommy Ridgley gets back on solid ground here.

It may not be anything special, but more importantly it’s not anything we’d rather avoid at all costs either, which constitutes progress.
 
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