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IMPERIAL 5069; APRIL 1950

 
 

 

By nature sequels of any kind are sort of lazy and manipulative even if they’re occasionally creatively inspired as well.

But then again art for art’s sake has little room in the realm of “art for commerce sake” which is what the music business specialized in and so when your career solvency is determined by hits and misses that’s invariably going to mean that the potential payoff for giving an audience a second helping of a hit often outweighs the creative limitations such a maneuver forces upon you.

How well you can navigate this murky terrain tells a lot about you… both creatively and constitutionally.
 
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